June 30, 2022
‘One of the most remarkable names to emerge from this year’s Venice Biennale is interdisciplinary artist Yuki Kihara. The first fa’afafine (the Samoan term for […]
June 30, 2022
Don’t miss Yuki Kihara in conversation with Kirsty Baker on identity politics, decolonisation, and the environmental crisis through her immersive new work ‘Paradise Camp’ at the […]
June 30, 2022
ArtReview sent a questionnaire to artists and curators exhibiting in and curating the various national pavilions of the 2022 Venice Biennale, the responses to which will […]
June 30, 2022
An exhibition showcasing a cultural story of Samoa’s third gender, Fa’afafine by Yuki Kihara, is coming alive thanks to artificial intelligence (AI) technology developed in New […]
June 30, 2022
Sharon Lam goes in search of Yuki Kihara’s Paradise Camp, the New Zealand pavilion at the 2022 Venice Biennale. While there is deep literature behind it […]
June 30, 2022
The New Zealand pavilion at the 59th International Art Exhibition – La Biennale di Venezia recently opened with artist Yuki Kihara’s ensemble exhibition, Paradise Camp, curated […]
June 30, 2022
‘Paradise Camp’ is a fa‘afafine and fa‘atane pavilion, vivacious and unwavering in its generous platforming of our ways of knowing and being …” Have you seen […]
June 30, 2022
When Australian curator Natalie King first approached Yuki Kihara to propose a project for the New Zealand pavilion at the 2022 Biennale di Venezia (Venice Biennale), […]
June 30, 2022
CONTEMPORARY HUM Natalie, you said that you went on-site to Sāmoa during the filming of Paradise Camp. Was that your first time there and first time […]